Education / Assistant directors
Turn the script into a practical shooting day.
Progression roleThe overview
The first AD plans the filming schedule and runs the practical flow of the set, balancing the director’s intentions with production resources.
In preparation they analyse what scenes require and discuss timings with the departments. During filming they coordinate readiness, communicate the plan and respond to change. This gives the director space to concentrate on performance and storytelling while the team works from a shared practical approach.
The working day involves checking readiness, keeping departments informed and adjusting the plan when necessary.
Your route in
Learn the AD department’s work through runner and supporting grades before leading larger sets.
List cast, locations, props and special requirements scene by scene. Turn the breakdown into a proposed schedule.
Explain which timings are assumptions. Practise revising your schedule when camera, costume or locations raises a constraint.
Work on achievable projects and within experienced teams. Seek feedback on communication and whether your plan was realistic.
There are several routes through the AD department; first AD responsibility requires broad production experience.
Try it yourself
Your first location becomes unavailable for an hour. Propose an alternative scene and list the checks needed before switching.
Check cast, equipment, location and department readiness. Explain who needs to approve and communicate the change.
This is an introduction to UK film and scripted TV, rather than a complete job specification. Grades and responsibilities vary by production.
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